luna city express feat. diamondancer >r.e.m < (davomat remix) justified cause is proud to present its ninth and most international release. a convergence of artists from around the globe. from deep inside berlin comes two artists that are on the crest of the underground wave, marco resman and norman weber under their house moniker luna city express. luna city express bring us a dreamy original track that is named and inspired by the dreamstate >r.e.m.<. the track gives us a nice blend of cutting kicks and stabs that somehow maintain their subtle deepness as they progress into a string medley reminiscent of old school detroit which is appropriate with the sensual neuron touching voice over by detroits own diamondancer. as youve come to expect form us down here at justified cause, weve counted on the collaboration of some of our troops to bring you some hot remixes. this time to follow the success of the >vending machine< release we got davomat to give our ears another treat with this groovy minimal touch remix. a bit more for the dancefloor this mix really carries its power in its bass sounds. the quality style weve come to expect our boy davomat. we really couldnt get enough of this ninth release so us troops down here at justified cause have decided to cook up a few more mixes of this jammie! weve made it a two parter! cause009 & cause009r. so be on the lookout for two more exceptional remixes and the accapellaby diamondancer! the remixes will be by house cafes deep daddy dj ino and the other by, our own in house jacker, garcynoise vs. pablo bolivar. we leave you for now... in the meantime please enjoy our troops luna city express, diamondancer, and davomat!

spiritually kissed feel good affair. oozing of the retro goodness of early basement boys and bop releases, this is quality all the way with andrea love who previously stole our hearts on praise cats shine on me in equally impressive vocal form

the dose coming straight at the bricks of your houseparty with their fourth release on fumakilla: >im your door<. impressions of street-life in berlin city, where what matters is the size of your free will. where nobody has to do anything and where everybody can do everything. a1:„>im your door< is a track to be played at prime-time. tight and compact. a combination of a flat humor and deep meaning which leads to a good mood. b1: >penny jenny<: a story about the risks of the city. a girl whos life was ruined by pony posters and polished fingernails. b2: >come cool<: a screenshot of a monday morning. around the street lights and a girl to catch. articulated in a form the english language hasnt heard before. its up to you. stay where you are or move out to test the borders of perception. knock upon a door. it can only be the beginning of something or the return for good

welcome to our 4th release with hot new talent tim gregor providing a rather splendid ep. you might not have heard of tim before but we reckon youll be hearing quite a bit from this talented fella in the coming months…following in the footsteps of his better known brother, mark-henning, tim takes up the minimal baton with aplomb, producing 3 tracks of teched up treats. starting with >subterrain<… a right heads down minimal groove if ever there was one, kicking off as it means to go on with a right big dollop of funk in the form of a wibbly, bowl quivering b-line and those oh so important funked up hi-hats. dollops of tripped out fx and breaks & builds aplenty keep the hips wiggling..

atfc comes correct once again for his label onephatdeeva and delivers one of his most hyped productions to date. life has been bubbling under for almost a year now in its original form but its the new lil mo life mix that has left tastemaker djs stunned spitting superlatives.

currently hot with releases on moon harbour, frankie, their own trimsond label or jesse rose’s true to form label, uk’s finest tom ellis and leif return for round 3 of their „trimstyle“ series on morris audio citysport! to continue the tradition, they bless us with four tracks of quality, stripppeddown tech house. tom kicks off the a-side in his classic style with some chunky, bass driven rockers to get the dancefloor going, while leif provides some techy, rolling minmalism and some jazzy percussive deepness - featuring live conga samples played by leif. bet there will be a volume 4?

marco nastic aka let s talk serves up a small masterclass in the darker serbian minimal techno skills. the relatively new label traffica showcases three extreme tracks with a spooky vibe, which cover all frequencies from extreme low to high pitch sonar..

classic !! finest acidic slammin techno mover

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

yre-002 brings you an ep by detroits house legend rick wade (of harmonie park fame), who delivers true deep house cuts in its most authentic form. wade, who has been producing the slickest detroit house tunes for ages, sure knows how to game play. all four tracks on the >night of the living deep ep< bursting with talent to create the sweetest harmonies you can find, mixed with catchy basslines and an overall strong warm groove

funkmaster is a new label dedicated to putting 70s funk album tracks and other rarities on fat 12inch pressings. this first one contains 2 jimmy castor tracks from the rare butt of course lp in original form. both are massive for the dancefloor and on 12inch for the first time

gumption retrieves two more smouldering cuts from the blast furnace in the form of aacid code 8 and tarantula continuum, courtesy of casio casino and neville attree

unique and strong well rounded ep from one of the leaders of canada’s electronic music community, adam marshall. the title track has been running through the dj circuit for some time now and has been causing some serious damage amongst some of the biggest names. with its sexy metallic cords and infectious rounded crescendo, it builds up to release a true form of energy that will leave any being hungry for more. reminiscent of works released on labels such as get physical, wagon repair, or mobilee. three more tracks between minimal and house packed with heavy funk.

the new half cousin single big chief comes with an exclusive remix by the earlies. this is the lead single form the album and sums up in four minutes what the band is all about. the single also comes with the first ever remix the earlies have put their official name to, and a electronic upbeat offering from the fantastic dextro. half cousin also deliver these songs to captivating effect live with acclaimed artists martin slattery and anthony genn (the hours), jamie morrison (the noisettes), jimmy hogarth, the earlies and fellow scot kt tunstall all lending a hand on stage in developing this fierce reputation

brothers bud return with another chunk of boisterous bass in the form of yap yap, a casio fuelled concoction of heafty beats and cheeky bleeps! the a side is as solid as we have come to expect from the boys bud, with yap yaps robotic vocals building to a typically funk stained breakdown. on the flip escobar and vito steer things more towards electro house territory ensuring there is something for everyone on this peak time belter

dj fex is an accomplished produced and dj. having released tracks on such labels as serial, brique rouge, hypnotic, dessous, visitor, gourmet or systematic, his reputation is not to be done. as a dj, fex is a resident at mix club in paris and resident of the famous parties kings.fex gives us one of his best work so far, totally in the vein of what he does on his own label robotronic. acid forever is a moody yet obsessive track with a strong melody. its not particulary acid sounding but the vibe is here and it stays forever! on the remix tip, man of the moment tommy four seven, always on top form when it comes to make people dance and mark o’sullivan, half of dk7 with jesper dahlbäck and half of mark & john with his cousin john, member of the swedish mafia, who has recently remixed mike monday and had a release on plastic city lately. overall a strong package of mixes again

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

the lead track stunning in its original form is based upon a brooding bassline which underpins a beautiful melancholic string melody that has been utilized to full effect by man of the moment tobias luetzenkirchen who delivers a more techno influenced remix. whilst debbie does dishes hits a more hypnotic note, olivers production partner harada delivers his own squelchy interpretation taking it in a stripped sometimes you have to lose yourself to find yourself way.deep dark drug music from the house of therapy

another release for dead famous and another new artist full of promise in the form of sicilian boy wonder break the box. following in the footsteps of other italian giants like madox and santos you can feel the mediterranean flavour in luigi barones music, with healthy doses of tech and funk laid over solid breakbeats. with a string of releases on the way on labels including breakin even, basstard, big square and ritmic, 2007 is set to be break the box s year

nice price deal !!! with a mighty beat of his breakbeat wings, merka marks a triumphant return on fat! in 2007, with two teasers in the form of what now & yakumos ready. the double a will serve as an irresistible preview of things to come as both tracks are taken from his forthcoming long player berserka, due to drop on 12th march 2007. mark fords penchant for twisting together a colourful array of styles and samples has allowed him to stretch an influential arm across a wide range of scenes, as well as notching up hefty support from the likes of xfms eddie temple morris as well as radio 1s zane lowe, tayo & annie nightingale

jay west lands at drop music, and boy is he on form! with funky-as gear at a1 (with a nice james brown sample), a deeper soulful bass-driven ode to acid at b1 and a bumpty sax-lead house chunker to close. nice!

wink is back at it again with the long awaited follow up to >516 acid<. this is the first time these tracks will be released on vinyl. >swirl< was featured on josh wink s acclaimed mix compilation profound sounds volume 3, but this is the first time a full version of the track will be released. in wink s signature style of creating tension, he full delivers on swirl. the track slowly builds and takes off when wink adds in his signature 303 bass line. like one of wink s dj sets it goes through many peaks and valleys, but it is the tension that is created that will drive the floor nuts. the b side is >have to get back<, which had been released on minus records min to mac comp, but only in an instrumental form. this is the very rare vocal version of that track. again wink provides the tension in this dark affair. the addition of the eerie vocal will remind people why he is the master of the bugged out production

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

ocean drums is the latest release form nero rec, this track have been a firm favorite amongst many of the worlds leading djs all of the summer. erick morillo for example has open many of his djset throw out the summer with ocean drums, causing the track to blow up big-time. with amazing vocals from kathy brown and a tight and energetic production this track is in the making of a huge hut. remix comes from the man of the hour mischa daniels, his higher mode remix is a slice of heaven,sounding epic and big room for all the fans of this sound

a heavyweight collaboration between vocalist lyric l & producer musician mark de clive lowe in the form of the future hip hop soul nugget ever (after), a soundtrack for the summer with a big crossover appeal. from west london to philly via tokyo and nigeria, lyricl is reaching the ears of the soulful masses

known for his smacked up productions on 2020 vision and phonogenic audio, phonogenic aka tuomas salmela gives us his best work to date in the form or >orange leaves<. amazing production ties together this beautiful peace of finely arranged drums and humongous riffing, creating a fine mark for the wodka infused finn. for the b-side phonogenic delivers a slice of bubbly electronic funk with >dubby cop<. remixing >dubby cop< - milano s finest, boogie drama (aka lele sachi and sandiego) rocks the big floor with their trademark sound of phat kickdrums, bigtime breaks and lovely keys, ready to drop those stringpanties down. as a digital only special we include an unreleased phonogenic production >air moves< with a full-lenght freestyle man discotronix remix which warms up the disco flavoured hearts among us

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

phreaky minimal bassy monster! growing up in a small town in southern germany, joachim landesvatter s main musical influences came via his older brothers in the form of bands like zz top, lynyrd skynyrd and uriah heep. these narrow boundaries could not contain his ever-evolving tastes, however. he soon found himself enthralled by german acts bap, die rodgau monotones and the scorpions, to name a few. the real turning point came in 1991 when he discovered the techno music being played by local djs in the small, rural clubs in and around his hometown. using techno as a springboard, he jumped ever-deeper into the quickly evolving experimental electronic scene and all of its various permutations

first 500 in super chique green vinyl ! after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

new kid on the block jordy lishious is already building quite a name for himself in his home land holland delivering top form dj sets all over the country. expanding his talents he now drops 2 tracks full with funked up badass monstrous tech electro house.already supported by erick morillo, steve angello, marco v, benjamin bates, erick e, fedde le grand, dj delicious, wally lopez, dave spoon, mark knight, martijn ten velden, chuckie, don diablo, dj dlg, mync project, mike monday, robbie rivera and more

after the highly successful debut release on moodmusic >machine ate my homework< (played/charted by roman flügel, hell, tiefschwarz, james lavelle, kiki, loco dice etc) from london based gavin herlihy, we offer you the next step in the form of >so thats what happens<. produced together with partner in crime craig torrance, this bad-ass funk fuelled minimal influenced dancefloor monster has allready created a huge buzz on ultra limited promo cds.. allready hammered by ewan pearson, kiki, tiefschwarz, damian larazus among others this one will prove that these guys are no one-hit wonders! for some extra kick we asked isolée aka rajko müller to drop his kraut electronics all over >so thats what happens< – beefing up his 808 and assorted rattlesnakes, isolée creates a stellar arrangement with so much finesse and soul it could be another future classic

ocean drums is the latest release form nero rec, this track have been a firm favorite amongst many of the worlds leading djs all of the summer. erick morillo for example has open many of his djset throw out the summer with ocean drums, causing the track to blow up big-time. with amazing vocals from kathy brown and a tight and energetic production this track is in the making of a huge hut. remix comes from the man of the hour mischa daniels, his higher mode remix is a slice of heaven,sounding epic and big room for all the fans of this sound

next cadenza killer ep !! the four cuts on this doublepack are monsters all, between eight and 13 minutes apiece. coming hot on the heels of similarly sprawling releases from ricardo villalobos and luciano & thomas melchior, they confirm cadenza s commitment to stretching electronic dance music s form to fit a more expansive frame. these are anthems, but they re anthems of a different sort. while too many hits beat their riffs like dead horses and treat their listeners little better, loco dice turns their attentions to gauzier, wispier elements: ghost melodies, feathery percussion, iridescent timbres that flash once and are gone

the beginerz drop a very dark, electro mover for those gritty 4am moments in the form of no way a swift move away from there well rounded, pumpping funky house sound but still very good and will appeal to all you house djs outhere. bounce however is a classic beginerz tune that will be straight into your sets

after his successful release on pakkas levyt, samuli brings us another highly slamming techno ep. forget trance, never mind house, this is techno in it s most funky form . marko laine remix is more straight forward, with an old school attitude

audiofly are hotter than hot for their recent output on labels like connoiseur, mobilee, adrift and the brand new tiefschwarz label souvenir. while working with different people (rekleiner, sleeper thief) the audiofly sound is allways present and rocking the crowd !>lost< is the follow-up release to the hugely successful >somewhere< release on moodmusic as rekleiner with partner in crime stuart geddes. this time we got a double a-sided monster in the form >lost< and >til mari< . electronic techhouse music at its best we would describe this, with both tracks having a strong floor feel to them and getting that hands in the air feel we hardly feel anymore

dave offers us 2 club bombs with okinawa dance and ocean club. the refined sound of dave dk has been lately on alot releases in the form of remixes but it is still the original productions which shines through. both tracks groove like hell with the familiar funky bass and tricky synth production we love him for

justine electra has developed her own private form of electro indie pop. >fancy robots< is the second single from the album >soft rock< and its a sassy home spun pop song thats somewhere between the field mice and joni mitchell. the 12 inch features four mixes from broke, nouvelle vague, principal participant and jori hulkkonen

chew the club is a new label from the danish bigstar label group. the label is managed by dj choose. the first release is produced by himself alias tease and it is the first part in a series of two four track eps.. supported by dj preach, mike humphries, jan liefhebber and many more..

apendics.shuffle has been tearing through clubs for the last few years on labels such as adjunct, resopal red and orac, but it is here on leftroom that he has hit top form. 3 tracks of twisted trademark hooks, and crisp production make this a must. our very own szenario turns in an eerie remix for those early hours also!!! label support now from richie hawtin, ricardo villalobos, luciano, craig richards, magda, troy pierce, matthew dear, need we say more....

some people call him a >weirdy beardy<.... others know him simply as >bob van rental<... we know him as bobby lorenz, and he s back! this time he s teamed up with label cohort kristoph for their 2nd collaborative outing on slave. the first came in the form of the massive >lock-in< re-work of deepgroove s >attack! attack!<, which has been cropping up in the playlists of the rich, the famous, the great, the good, the downright bizarre, and near enough everyone in between

wicked cheeky house rework of hip hop hit kryptonite that took stateside by storm! ace vocals, twinned with quality techy house beats & bass. big with westwood & zane lowe in its hip hop form who will pick the house mix up

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet

repeat orchestra (aka stefan schwander aka antonelli electr., rhythm maker, one half of the duo swimmingpool as well as being behind >a rocket in dub<) returns with another 12inch in his purest form of his electronic soul, based around live-performances, orchestral instrumentations and deep house. in a post-modern manner, the >asafa chords ep< operates differently as opposed to the standard sampling clichès of standard house-tunes that we hear on each and every street corner these days. the two pieces follow a minimal yet above the norm musical approach, with tricky and advanced rhythms and a strong groove that lets the listener dive deeper into the world of a one-man-band, who likes to express his version of afro-futuristic housemusic by bringing deep chords, live-played strings and lots more of his personal flavour into his production. . the result is a warm and wonderfully musical expression on the dancefloor that will guaranteed stand out from the rest.

starting his musical career at the age of 12, sharooz began playing guitar in punk bands in his native northern ireland during the mid-90s, before beginning to produce dance music and start djing around 1998. his first gigs took the form of live pas, playing alongside the likes of king unique, peace division and inland knights at the legendary smokescreen free parties. soon sharoozs djing profile began to rise, leading to gigs at space and cafe mambo in ibiza, turnmills in london and passion in coalville to name but a few. over the past 7 years sharooz has djed alongside such luminaries as pete tong, marshall jefferson, terry francis and even shaun ryder

hailing form oslo ost & kjex first got noticed on the planet noise label. their tast for flashy costumes, cheesy handbag house and fucked up electronic sounds caught the attention of crosstwon rebels and dialect, who now release this wonderful combination of crunchy beats like >milano model< which is a modern day new yor-style house anthem with a european electro twist or >foodchild< that is a melancholic piece between deep techno and minimal house. support laurent garnier, d julz, mike monday, jef k and more

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.